... From the half-open oak door at the far end of the passage came a voice, loud and slurred, like the voice of a drunk. Case thought the language might be French, but it was too indistinct. Molly took a step, another, her hand sliding into the suit to touch the butt of her fletcher. When she stepped into the neural disruptor's field, her ears rang, a tiny rising tone that made Case think of the sound of her fletcher. She pitched forward, her striated muscles slack, and struck the door with her forehead. She twisted and lay on her back, her eyes unfocused, breath gone. "What's this," said the slurred voice, "fancy dress?" A trem- bling hand entered the front of her suit and found the fletcher, tugging it out. "Come visit, child. Now." She got up slowly, her eyes fixed on the muzzle of a black automatic pistol. The man's hand was steady enough, now; the gun's barrel seemed to be attached to her throat with a taut, invisible string. He was old, very tall, and his features reminded Case of the girl he had glimpsed in the Vingtieme Siecle. He wore a heavy robe of maroon silk, quilted around the long cuffs and shawl collar. One foot was bare, the other in a black velvet slipper with an embroidered gold foxhead over the instep. He motioned her into the room. "Slow, darling." The room was very large, cluttered with an assortment of things that made no sense to Case. He saw a gray steel rack of old-fashioned Sony monitors, a wide brass bed heaped with sheepskins, with pil- lows that seemed to have been made from the kind of rug used to pave the corridors. Molly's eyes darted from a huge Tele- funken entertainment console to shelves of antique disk re- cordings, their crumbling spines cased in clear plastic, to a wide worktable littered with slabs of silicon. Case registered the cyberspace deck and the trodes, but her glance slid over it without pausing. "It would be customary," the old man said, "for me to kill you now." Case felt her tense, ready for a move. "But tonight I indulge myself. What is your name?" "Molly." "Molly. Mine is Ashpool." © William Gibson, Neuromancer